Director. Writer. Filmmaker.
Welcome to my site where you'll find information about my work and career.
I'm a director & writer in film & television. I recently directed the CBS police procedural, "Blue Bloods," and the pilot and full season of the new MGM series "The Baxters." I'll soon be directing "Criminal Minds." I've had the pleasure of directing over 60 hours of episodes and movies for ABC, CBS, NBC, HBO, PBS, Lifetime, SYFY, Disney, and Nickelodeon.
Currently in development with my passion project, LILLY, a feature film based on the life of the remarkable fair pay activist Lilly Ledbetter, the screenplay won the NYWIFT Ravenal Prize and is an Athena List winner. Also in development with KINKS, a one-hour drama, the project was selected to be presented at the 2019 MIP CannesSeries InDevelopment pitches, and has won both The WGA Drama Queens Award for best spec pilot and was selected for the WGA Writer's Access Project. My digital series "Ice Queen," a Sundance/New Voices Lab finalist, is in development with Paul Feig's digital company Powderkeg. I've written features for Electric Entertainment, Mandalay Picures, Cinelou Entertainment, Freeform, and several for Lifetime Television.
My father was a dentist in the Bronx, my mother a movie lover and Borscht Belt singer with an older brother who became a successful (Blacklisted) Hollywood screenwriter. My Russian grandparents were labor organizers. At an early age my imagination was sparked by actors like Barbara Stanwyck and Bette Davis illuminating social issues in movies like “How Green Was My Valley” and “Pinky.”
I took my art training seriously. After working as a professional child actor for over ten years, where I sang jingles with Louie Armstrong and was the voice of Lucy in Peanuts, I attended The School of Visual Arts and Parsons School of Design where I studied graphic design, then onto Sarah Lawrence College where I focused on writing with giants Grace Paley and Ed Doctorow. I received an MFA in film directing at NYU where my thesis film "Giustina" won Best Short at The New York and Chicago Film Festivals, garnering production grants from The American Film Institute, The National Endowment for the Arts, & The Jerome Foundation - enabling me to continue making movies.
Early in my career I worked as a junior art director at Young & Rubicam, then as a storyboard artist and pre-viz coordinator for directors Peter Yates, Brian DePalma, and Jerry Belson, while optioning my first screenplays to Jon Avnet, Ridley Scott, and Jodie Foster. When the late/great Steven Bochco saw one of my shorts he hired me to direct “Doogie Howser”, the opportunity for which I'm especially grateful.